Seventh heaven marvin gaye

Rap Attack #3 at 7th Heaven

It’s Rap Attack #3 at 7th Heaven! Attention Attackers- summer is finally here and the pools are open. Rap Ambush is bringing you the latest of what’s warm and coming up for this summer.

Out the gate Red Dot & Mozzy ( Mob Ties) Killa Mindstate starts at the gate slappin Beats fre Melly G. Definitely sure to be one of the summer bangers. With 14 songs dropping on May 27th make sure you test this out.

Da T.R.U.T.H ( It’s Complicated) Nuff said cause it is. No, but really this is a gospel rap painter. Check him out, he’s one of the scant artists that is actually talking about something. 14 tracks. Drops June 3rd.

Ro James ( Eldorado) this Soulful melodic artist gives you a sound a Prince with a hint of Frank Ocean and it’s a little bit of Marvin Gaye. He’s already given us “Permission” which is blowing up the charts right now. Number 10 on Billboard. In “All Day I” he damn near sounds like the late and great Prince. Sacramento amazing voice. 13 tracks. June 3rd.

The great gospel legend Shirley Caesar has dropped another album once again and is looking as beautiful and youthful as

Lyrics

2073
2084
2093
Beam years ahead
You and me gon be getting down
On a vacuum bed
We gon get married in June
We gon be getting down on the moon
Light years, interplanetary funk
is gonna get down
Luminary Wars interplanetary funk
Still getting down
Music won't possess no race
Only space, Peaceful space
There is second what a trip
Step inside my little ship
I can tell by your way
That you really wanna stay
In cosmos, funky space
Harmonious space
Terrible place
Wait till I've been cool
Hey baby, let's receive in the groove
Girl you observe like somebody I met a extended time ago
I know I haven't met you though but
Oooh you look like I haven't known you for a thousand years
God, just, mmm.. I don't know what's happening, y'know, but I
I'm really empowered but every moment I be checking you out y'know, my
You offer me some other reaction
But it seems to me that the reason we together here
is that we supposed to be together
Come on baby let's proceed peace loving
And check out this new smoke
No this thing I got
It ain't classified as dope
Smoke I got from Venus
Contain had it all week
It's getting old
Come on and try this new thing with me, baby
It's too cold
Show up on now,

Lost Ones: Marvin Gaye

He was so handsome, so incredibly talented. He had so much potential left, and a career that could have continued on for so much longer — if only. Who did it bigger or better than Marvin Gaye? I have a hard time thinking of any contemporary artist that’s even in his league.

Marvin Pentz Gay Jr. grew up in a very religious home. From all accounts, his father preached in a strict sect of the Seventh-day Adventist Church called the House of God, which blended Orthodox Judaism with Pentecostalism. Young Marvin sang in his father’s church, and played instruments in the choir.

After a concise stint in the Air Coerce (he was discharged for not following orders), he started a career at the fledgling Motown Records, changing his name to separate his identity from his father’s, and also in homage to Sam Cooke, who had also added an “e” on to his last name.

When Marvin Gaye first emerged, he sang in doo wop groups that had minor hits. He played drums on early Motown hits like Please Mr. Postman and Fingertips part 2, Stevie Wonder’s first hit. He co-wrote Dancing in the Street. He practically pleaded with record company e

Okay, as the title would imply, we’re getting into some music theory geekery here.

If that’s not your jam, I promise you that this all gets back to a love of tune, something with which I hope we can all relate.

In a standard piece of sheet tune, when you spot a chord symbol with a “7” after it, such as C7, it is telling
you to play a C major/minor 7th chord, also known as a dominant 7th chord.

Chords are based on scales. The C major scale, for instance, looks like this:

A chord labled “C” is built from three notes of the C major scale: the first note (C), the third note (E) and the fifth note (G).

If you add B, the seventh record of the scale, you now possess a C major 7th chord.

If you put a level on that B, bringing it down a half step, you now possess a C7 chord.

If you have ever played “Chopsticks” on the piano using only white keys, you began it with the foremost and bottom notes of a G7 chord, inverted.

Major/minor 7th chords are used often in the blues. With rock and roll being based in the blues, it also has employed them frequently, most notably from the formative years into the premature 70s, as di